These paintings are not intended for the center of the wall.

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They function more precisely when placed lower, closer to the floor, within the spatial field of the body. In this position, the way of looking also changes: the work is not viewed head-on, but discovered as one moves through the space.

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The image therefore appears less as a central object on the wall and more as a presence within the architecture of the space.

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This zone — where body, floor and image meet — is what I call the ground zone.

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Christ'l